Optic Matters: Difference between revisions

Revision as of 10:12, 1 March 2025

Participation is about co-presence.

such co-presence during the TEK interviews, however, materialized unevenly across locations.

Though absent in body, the BearWatch researchers were still materially entangled with these interviews through the physical presence of camera rigs, microphones, digital optics and sound to required to technically facilitate such presence.

This creates a paradox: while technology enables inclusion across distances, it also reconfigures intimacy, replacing embodied presence with fragmented, mediated engagements.

The very materiality of cameras and screens imposed an external logic onto the interviews. The remote gaze doesn't merely observe, it conditions the unfolding of the interview, shifting power, affect, and ways of knowing in ways that were not reflected on before the conducting of the interviews.

"Detour" to Cut 2 to trace another way of engaging with optic technologies like camera and recording.

Or,

"Return" to Cut 3 to pick up the thread after Covid-19 restrictions were lifted.

Detour to Cut 2: Aesthetic Action

Return to Cut 3: Wayfaring the BW project

@@ Line 1: / Line 1: @@
 [[File:The wrecksite.png|thumb]]
-Participating is about being present.
+Participation is about co-presence.
+such co-presence during the TEK interviews, however, materialized unevenly across locations.
-However there are different ways to be present. And theses differences are a matter of how we matter.
+Though absent in body, the BearWatch researchers were still materially entangled with these interviews through the physical presence of camera rigs, microphones, digital optics and sound to required to technically facilitate such presence.
-Our technical possibilities are art of this equation. They make our presence
+This creates a paradox: while technology enables inclusion across distances, it also reconfigures intimacy, replacing embodied presence with fragmented, mediated engagements.
-A mounted phone, a large table-stand microphone and two go-pro cameras, of which one mounted on a structure that was built over the dining table to film the mapping exercise that was part of the interview, were required to respectively live-stream the go-pro recording, a conference call and to also record high-quality audio.
+The very materiality of cameras and screens imposed an external logic onto the interviews. The remote gaze doesn't merely observe, it conditions the unfolding of the interview, shifting power, affect, and ways of knowing in ways that were not reflected on before the conducting of the interviews.
-Other materials required for these interviews included a large paper map of Southampton Island, an acetate sheet and waterproof markers in front of the interviewee, and a piece of paper to mark specific timestamps in front of the interviewer.
-This was in addition to another phone mounted on a tripod elsewhere in the room to record an offline version of the interview- and of course, the masks, handsanitizers, and informed consent sheets.
-[[File:Distanced observer.png|thumb|The material wreckage required to facilitate detached observers.]]
 <div class="next_choice">