Editing Experiment (section)

=====level 5===== 
is External material agencies / pressure ridges

Not sure what to do with [[Politics of recognition]] yet - how it is connected to wayfaring (see 27-10 for further thought).


'''24-10-2024'''

Maybe wayfaring thread cut is indeed not linear, but has a point of beginning and weaves throughout the 2 other cuts.
-Wayfaring is the ''process.''
-The ESE are the in-between ''spaces'' that emerge while wayfaring. These spaces are their own pages? Like the vista's suggested below?
-The 2 cuts are the ''practices''

'''15-10-2024'''

What if the vista's / landmarks emerge on the "horizon", when one hits certain "sidequests?" 


'''14-10-2024'''

The narrative can't be the manuscript. because it is a knowledge product. 
The manuscript is then the decisions I made, and the process of an emergent project. 
So the ''encounters'' and the ''choices'' that each connect, or lay out a certain path. For example you can go straight from the [[Workshops Summer 2019|workshops]] page to the [[Voices of Thunder#output|output]] if you want - skipping the problematizing of "description".

Maybe each encounter (page, or subheading) is an ethical space of engagement, were different interests come together?
This means that the previous decisions made (like the workshops in 2019 in my case), lead to the current encounter. 

'''11-10-2024:'''

Cut 1: The page runs as the voices of thunder narrative (written out) 
       
Place of beginning as an introduction of this thread, explaining what the thread is about, and in what way you as a reader/ researcher are invited to respond.

The cut is threaded with other intra-acting aesthetic actions like the workshop in 2019, the conference calls, the paper, the film, the website, which are each (running) pages themselves


'''06-10-2024:'''

Practice: aesthetic action (this is what I/we did - the paths of the map).

Space: corresponding ethics of willingness and boundaries (These are the different corresponding agential forces, e.g. refusal, care, curiosity).

Process: Wayfaring in the apparatus (this is the directional force - exerted by reader).

The logic I am trying out first is adding whole Manuscripts/cuts (aesthetic action) in 1 page and then adding its corresponding forces through links.