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===Different Pop-up phenomena in wikimedia and the KLS: their terms, Miro-design and syntax=== Pop-up phenomena are phenomena that either; de/markate the im/possibilities of the KLS, like '''Staying with the trouble''' and '''Shipwrecks''', or ones that help navigating the KLS, like '''Landmarks''' and '''Vista'''' =====Front-end options?===== op ups are material '''agents'''. They create the conditions under which, or alongside which, the user makes their decisions. Or they may '''perform''' clarifying moments. Due to this nature, I envision them as visually intrusive '''pop-up'''' elements, that you may click to explore and understand better through reading the accompanying text. But even if you do not want '''explore''' those phenomena further, you cannot ignore them in the first place. This means I need to design a visual element that can serve as a click-able pop-up for each category. Pop-ups are marked in Miro with '''thick dotted lines''' in different colours ====Wrecksites==== The difference between what can exist, and what can not exist as part of a phenomena, are produced within phenomena by the '''im/material agencies of the (inquiring) apparatus-in encounter''' that constantly make and remake such determining agential cuts. ‘Our inquiries, in other words, do not simply generate knowledge, they generate realities’ (Rosiek, in Leavy, 2017 p. 638). The ice pressure ridge, mentioned above, is just one example of such material agency within the apparatus in encounter. Here and there, the '''wrecksites''' of the larger settler-colonial state apparatus also '''reveal themselves''' as materially constitutive agents in the KLS. Where they reveal themselves in the Miro they are marked by '''thick red dotted lines''' in Miro. (I may decide to leave these phenomena out, as I fear they might not be "material enough" - or may be the same as pressure ridges) ====stay with the trouble==== Staying with the trouble is to encounter a Great White Beast, it reminds us that there are no right decisions to be made. The responsive decisions that were made during the processes which have shaped the KLS. It is a form of making myself accountable. When the world is ‘remade’ in each meeting, it means that there is an imperative to take responsibility for the intra-active relations you build and the future relations your research makes possible or forecloses (Barad, 2007 p.x; see also Rosiek & Adkins-Cartee, 2023 p.160). Considering that the relations between reader and author are partially influenced by the positionality of the researcher, the methods they use and the concepts they apply, each research generates knowledge that is particular to its specific ‘agential cut’ (Barad 2007, p. 185). Wrecksites provide insights into my own my abilities to respond and '''"stay with the trouble"'''. trouble will pop-up in various forms, and their pop-up nature is marked in Miro with '''thick green dotted lines'''. ====Landmark==== Landmarks perform emergent insights in response to tracing and threading certain sequential actions or practices. As you are re-redirected by pressure ridges and enticed to trail-off along certain sidetracks, you are presented with particular insights. These insights are directly connected to your responsive and immersive engagement with other agents of the KLS. Did you partake in coffee breaks, bingo, trying country food, and give people rides? To the dump for example? Or to get ice? This is where much of the ethical engagement takes place- and as such they are almost exclusively presented at side-trails, or along pressure ridges. Landmarks can take various forms. i will design visuals for each one. ('''In the Miro they are marked with a blue dotted line'''). ====Vista==== Vistas, or ethical principles, function to '''assist''' in your orientation as you may seek to ethically engage with some of the work that you encounter along the way. Vistas unveil the ethical outlines on which I have relied to chart my course across the knowledge-land-scape of my research. They are emergent aspirational guidelines that may help guide you along the different tracks and trails you intra-act with. These trails are, after all, shaped by my personal considerations and response-abilities while I navigated this scape. Vista's can take various forms. i will design visuals for each one. ('''In the Miro they are marked with a blue dotted line.''')
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